Enigma Solicitors concludes its look at the top-20 legal films of all time with My Cousin Vinny.
Bill Gambini (The Karate Kid) and Stan Rockenstein (Friends) are driving through Alabama en route to California from New York. After stopping for supplies at a grocer they are soon wrongly arrested for robbery and murder. With the evidence against them seemingly damning—three witnesses have made positive identifications of the boys as the left the store in a 1964 Buick Skylark after gun shots were heard—they face a probable death sentence. With no money to pay for a lawyer, they turn to Bill’s cousin Vinny, who took six attempts to pass the Bar exams and has only been qualified for six weeks and is yet to conduct a trial.
Vinny (Joe Pesci, Goodfellas) travels from Brooklyn to Alabama with his fiancée Mona Lisa (Marisa Tomei, who won an Oscar for this role). Much of the humour is of the fish-out-of-water variety, with the big city dwellers adjusting to life in a close-knit rural small town in Alabama. Unlike many Hollywood films, My Cousin Vinny doesn’t resort to easy jokes about stereotypes of the South (see Rich Hall’s BBC Four documentary “Dirty South, or, How Hollywood Doesn’t Get the South” for more on this): the Judge (The Munsters’ Fred Gwynne in his final film appearance) isn’t corrupt; the prosecutor (Lane Smith, The New Adventures of Superman) isn’t trying to cover up a conspiracy theory; and the sheriff (Bruce McGill, The Insider) isn’t a simpleton. No, all of them are portrayed as competent and decent. Likewise, the locals aren’t hate-filled bigots. The only swipe at the South—“The Klan’s here. They’re inbred. They sleep with their sisters.”—serves to show the misconceptions and lazy sense of superiority of one of the urbanites.
The film is generally viewed as portraying legal procedures more accurately than most films and TV series, and is often considered a must-see film for law students. Alberto Bernabe of the John Marshall Law School notes the film’s representation of “criminal procedure, courtroom decorum, professional responsibility, unethical behavior, the role of the judge in a trial, efficient cross-examination, the role of expert witnesses and effective trial advocacy”. For example, the establishment of an expert witness’ credentials is shown as this and Vinny’s inexperience about the rules concerning disclosure is dealt withshown as:
Mona Lisa: You stole his files?
Vinny: I didn’t steal his files. Listen to this. I’m just ready to finesse him. I’m starting to finesse him. I got him goin’. He offers to have his secretary copy everything for me.
Mona Lisa: Terrific. You’re a hell of a bonder.
Vinny: What’s this? You readin’ this book [on procedure]?
Mona Lisa: Yeah.
Vinny: Do me a favor. Okay? Don’t read this book. Okay? Thank you very much.
Mona Lisa: Alright. Don’t you wanna know why Trotter gave you his files?
Vinny: I told you why already.
Mona Lisa: He has to, by law. You’re entitled. It’s called disclosure! He has to show you everything, otherwise it could be a mistrial. He has to give you a list of all his witnesses, you can talk to all his witnesses, and he’s not allowed any surprises.
Vinny: [Stare]
Mona Lisa: They didn’t teach you that in law school either?
The courtroom scenes are among the wittiest in the film (see here or here) and also combines tension and humour skillfully.
A legal film that’s charming, funny and informative, with great performance all round and many memorable lines.